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StuPa 2010 elections

From

28.06. to 02.07. 2010 are again StuPa elections at the University of Bielefeld.
This year Rabatz - vote against the constraint Monster not anymore. Different reasons for the different members of the group, such as "End Program" or "University of change" have meant that we not play any more under that name, however, two Rabatzis connect now with the newly formed green * alternative left (g * al) to . So it looks

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new novel by Katharina Hacker

Katharina Hacker: Growing with the strawberries with the strawberry grow until they won the German Book Prize, it had a huge row with Suhrkamp because of her last novel. Will now enter the new Story by Katharina Hacker: easy, smart and in the best sense anachronistic. From Friedmar Apel
It's all good - actually
So it is good that Katharina Hacker's first book, is not affected in the new publisher of these aspects. However, it is in "The strawberries from Anton's mother" again to the small group of childless forty year olds who live in Schöneberg and Kreuzberg and work and walk on Sunday at the Schlachtensee in Zehlendorf, where it goes well in fact and which are peculiarly delicate and vulnerable anyway. Nevertheless, it is not some part of the trilogy, but a self-contained story that parallels the definition of the novella equivalent. Although some events play out, "Alix, Anton and the other" as shown a role for the background of concern, including the murder in a Vietnamese restaurant, is not presumed to know of the book.
The story is told from different perspectives, the simultaneity of external and internal events is full of art, but exposed in the traditional text presentation. The focus will enjoy the view of Anton, practicing in Kreuzberg GP. He had the same love as on sensitive Alix his friend Jan, but renounced it in its favor. By a collision while cycling Anton Lydia learns to know and love. Even before he may make acquaintance with her young daughter, he is hoping for a joint home and change his life. How do you fertilize
the field of life?

On Anton's marriage and grandchildren at home waiting for Wolfsburg in Calberlah long Anton's parents Hilda and William, but it is too early to introduce them to Lydia. Hilde sends Anton and his friends every year strawberry jam from the fruits they grow on their ancestral soil. Earlier this year, but they forget to plant the strawberries in time. Anton persuaded the farmers Helmer, a stale already secretly use perennials in Hilde's bed. Against its forecast gardening mature the fruit, while Anton issues must ensure that its parents are suffering from rapidly progressive dementia. With "anxiety, with fear and bad conscience," it is in the sight of his mother's understandable, how can your life be expropriated. In addition, Lydia's past
breaks into the action. She was together with Rüdiger, who had fled from life in the small German town in the Foreign Legion and had hardened afterwards as mercenaries on the battlefields of the international identity. Also in Berlin, he still wears Camouflagehosen. The separation of Lydia and the child he can not get over yet. She had left him in the pregnancy to their own neglect of endangered life back in order. Rüdiger Martin stands to the side of having to protect his former pilot, a small man who thinks unsolicited, Lydia before Anton. Moreover, he is in strange ways to mirror his mother in which the failings of their life once again in sight, while her memory fails more.
The demonic side of the strawberry
is refined in narrowing the relation between the narrator and the voices of events related. While growing strawberries, growing Anton's love for Lydia, the growing concern about the parents growing fears of a diffuse threat, and it can not keep the old friends. In Katharina Hacker's poetic realism sensitivities in the image on the visible world into the very things of daily use to the sensual certainty. The strawberries finally appear as demonic symbols of the simultaneity of all the dazzling growth and decay, of devotion and vanity, lust and love, fear and inertia of the heart.
on the field near Calberlah is it also prepares the field on which all people and plot lines are brought together. The "unprecedented event" in Goethe's definition of the amendment but has occurred as a not calculated intrusion of nature into the human body already. Under the foliage will now only be the consequences of Anton's compassionate hoax visible. Since all go Home and feel defeated, although a very serious incident did not happen. Only Martin, "the little hunchback," remains for a while in the field and considering that time is now over. Now it is time to start over.
The task has just begun
The narrative is subtle, but unmistakably as a valuable lesson about love as a medium of perception, not afraid an outdated gravity. The love may come as a natural force, animating, animating and altering or missed, frightening and destructive. to purify you, to preserve and protect their fruits to sustain their modern hazards Contradictions and to make it appear to bear as a never-ending task. How and whether people cope in Katharina Hacker's novels her readers to this masterful and poignant novel will interest all the more.
Katharina Hacker: "The strawberries from Anton's mother." S. Fischer Verlag, Frankfurt am Main 2010th 176 pages, hardback, kr. 158, - including moms



Book Title: The strawberries from Anton's mother
Book Author: Hacker, Katharina

Text: FAZ

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new Christa Wolf,

Christa Wolf: City of Angels or The Overcoat of Dr. Freud My guardian angel takes it directedness with each spacecraft ? Saved! Christa Wolf recalls in her autobiography of a deep crisis in their life, but discovered on the outskirts of the western world surprisingly a hope for salvation. By Richard Kämmerlings

reminds few pages earlier, Christa Wolf at the 4th November 1989, close to the event on the Alexanderplatz, in her speech for a moment, take in the flash for them, the utopia of a true socialism. The historic moment when the story starts a fairy tale, happy ". Witnessed him to have, you thought it had all been worth it," Well, just three years later, Christa Wolf was a double insult. The population of the GDR had mostly very different aspirations than that to realize the true socialism can last. And Christa Wolf himself, was a writer and an intellectual, the subject of the so-called German-German literary dispute. With the end of the state, had to which they held at all the internal distance to the end, she lost even the always self-evident accepted role as a representative figure - it was certainly for many of their East German readers today, precisely because of this only too easily demonstrable experience of a loss of status in united Germany.
the hotel "Ms. Victoria
Christa Wolf 1992 now sits in a quirky hotel with the random matching or well thought out name Ms. Victoria does "fairly eating and drinking happily with the consumer culture of the triumphant capitalism familiar, make friends with her co-scholars and a number of German-Jewish emigrants and deals at the invitation of the Getty Foundation, a new narrative project: your late friend Emma her a bundle of letters of a certain L. had left, one in the thirties, who emigrated to California psychoanalyst. Christa Wolf embarks on a biographical clues, which recalls the proverbial needle in a haystack: not even the full names of L. knows it.
As in their canonical works such as "thinking about Christa T. "or" childhood pattern cut "in this book also unique categorizations. The fact that the publisher is on the back cover (and only there) "novel" is called, is probably a breakdown. Christa Wolf mixes travelogue, diary, memory passages, dream narratives and clearly fictional passages. The history of puzzles L. rounds is not really the shape remains uncontoured strange (although there are a surprising solution).
critique of capitalism
is for the reader, the first of a hassle, especially as it is located next to some very mundane everyday observations (the exaggerated friendliness of Americans, their remarkable breakfast habits etc.) and of the expected (but not so wrong) criticism of social ills and the excessive consumption fetishism of the West has to bite through this really annoying: when explaining about the young Americans at the Getty Center, they would have to leave the country if Clinton does not election win, the atmosphere was "denunciatory" and you know even in the universities no longer who you could still speak openly: "This is probably little heard abroad? -. In fact, I said "It's a bit rich, so a parallel to totalitarian circumstances suggest. So there are some points where we no longer give much credit wants. And yet, you should do it.
For so after about a hundred, a hundred and fifty pages does this prose slowly quickening, the motivic links are tight, the sound more urgent and more direct. The narrator is informed by and by fax about the violent and most destructive reactions to the announcement of its "acts of perpetrators," she had already seen before. As "the Margaret" she was taken from 1959 1962 in the state security. Although she sees herself in the face of (compared to the size of their "victims Act") with little exposure to the weight of covered facts of a continuing media campaign, it rushes away from Germany, "at Edge of the World "in a deep crisis, which revolves about a deeper question:" How could I forget? I knew that I was not able to believe it gave me even as my real offense before - offense, which for a German fine word "
length monologue in my head
is this for the narrator himself puzzling lapse of memory of the name. , magma-like core of the book. Again and again, is the host institution, among other so a large archive, superimposed as the "CENTER" (in capitals) the speech, and incessantly, the doings of the presence of the work of the past, a movie in your head a monologue in an endless loop. Christa Wolf called the formative years, her youth as convinced, even fanatical companion to mind an illegal activity as agitator in West Berlin, an encounter with great role models such as Louis Fürnberg, but later breaks, especially the days after the Biermann expatriation, as she stated, despite the enormous pressure of signing the protest letter.
The eponymous jacket Sigmund Freud is a paradoxical picture of this piercing self-examination: Its protection is to be had only at the cost of complete alienation. The crisis culminated in an ecstatic night of Christa Wolf, after a few whiskey ignored the telephone ringing ("Berlin" is always here for family ties), Freud hears mantle talk to him and then - singing: "All the songs I knew and I know many songs with many verses. The ensuing list of all people, children, combat and hymns is the climax of the book, a crisis as a turning point and also the sum deposited in the subconscious of a lifetime.
Psychoanalytic aesthetics
"City of Angels" follows, and so it can easily be underestimated, a psychoanalytic aesthetics: Just put the incidental, the wit, the slip of the tongue, the dream releases the buried truth. The book also contains a love story never pronounced. The botched colleague Peter Gutman, who claims to be himself hopelessly in love with a third one is for the narrator to a soul mate, his own failure - he despairs about the biography of a philosopher - reflected the self-doubt, Christa Wolf and also removes the existential. Besides this Umeinanderkreisen and intellectual Honeymooners is a light-footed offset the gloom and the threat of resignation.
Gutman is also supplying the key word, a reference to Walter Benjamin's angel of history, is driven forward relentlessly must look back on the disasters of mankind and can heal anything. (A different Benjamin Quote the book is preceded by a motto.)
intrusion of the fantastic
But apart from these historic pessimism does a Christian hope of redemption. For a tourist visiting the "First African Methodist Episcopal Church", the narrator receives entrained and even communion. In the sermon is about the miracle of forgiveness. After this event, she accompanied a black named Angelina, a "guardian angel" at every turn, there is even a common flight hour, as if the Starship Enterprise on a sudden start in Malibu.
This envelope into fantasy is a surprising one, but so would just as suddenly, even after the entry of the Benjamin his Savior in the story. A strange, a remarkable book, a rescue.
Christa Wolf: "City of Angels or The Overcoat of Dr. Freud." Suhrkamp Verlag, Berlin 2010. 416 pages, hardback kr. 219, - inkl moms



Book Title: City of Angels or The Overcoat of Dr. Freud
author Christa Wolf

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introductory tournament at 03 July 2010 at 10:00

As part of the Club Foundation held the 1st SGC Essen 2010 Saturday, 3 July 2010 from 10 clock an introductory tournament on the Swingolf Rutherhof plant food - http://www.swin-golf-essen.de/ . The tournament is open to any course. There is neither the duty to be a member in our club, then having to join yet. To look forward to every SwinGolf enthusiasts.

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Psycho Thriller

Sebastian Fitzek
The collector's eyes psycho thriller. bound kr 148,50 inc moms He plays the oldest game in the world: hide and seek. He plays with your children. He gives you 45 hours to find them. But your search will last forever. First he kills the mother, Then he kidnapped the child and gives the Father 45 hours for the search. This is his method. After the deadline, the victim died in his hiding place. But that is the horror of not over: the children's bodies discovered missing in each case the left eye. To date, the "collector's eye" not a viable trace. As reported a mysterious witness: to be able to see Alina Gregoriev, a blind physical therapist who claims by mere bodily contact in the past of their patients. And yesterday they might have treated the eyes of collectors ...

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Future Publishing Policy

Jo Lendle talking

"We are fewer books ! Make "

less books, but more close to readers: These resolutions are the DuMont get going. As Jo Lendle wants to replace quantity with quality, the new publishing director said in an interview with FAZ

Relentless subjectivity: Jo Lendle gives his readers only what he wants
26th May 2010 Thirteen years ago, the DuMont publishing house has started his literary program. Since that time certain Jo Lendle with the literary profile of the Cologne publishing, most recently as program manager for German-language literature. Now the Lendle born in 1968, the successfully self as an author is - "In martens" (1999), "The Cosmonaut" (2008), "My last attempt to save the world" (2009) -, the editorial board for the Literary and non-fiction book publishing program of the DuMont taken. In April
is the former editorial director of book publisher DuMont, Lutz Wolff (66), resigned at his own request to the publisher. That was surprising when he was only a year earlier - after his retirement as an editor at the Deutscher Taschenbuch Verlag - had come to DuMont, and had big plans with the publisher. Apparently there were differences regarding the direction of the program. divorced in peace one is in any case not even if it is expressed only behind the scenes. has to go from here now with the literature and nonfiction by DuMont, what to do in terms of electronic reading devices and repositioned as the ascent to the publishing director's own perception changes, Jo Lendle told in the interview.

you know the publishing house that you are the head, as for many years editor. How big is the change? Could afford the reader to be partisan?
The editor must be even partisan, he is a minister who is fighting for his portfolio. On the other hand, we have at DuMont, the boundaries between the editorial always left quite open, as is the Home Secretary no less proud translated to a novel, and the Foreign Minister also attends once a German author.
Have you in your new role, a role model? One of the great old publisher? Siegfried Unseld
I met for the first time as an intern on the men's room of the Suhrkamp publishing house. A comparatively unauratischer moment. Yet he is undoubtedly one of the publishers, who deserve admiration for their author list. The image of the publisher shape the monarch today - even if some grand gesture to me now no longer appears necessary. In the end, everyone finds themselves his style. I have read some correspondence between the large publishing cartridge, which we consider now other, more understanding eyes.
And what about Suhrkamp today? See you in the move to Berlin in the mid-awaited return to the center of the intelligentsia? In
Suhrkamp appears to be a significant part of the important contemporary literature. That's what counts. It would be presumptuous to expect that the only way a publisher for generations to monopolize the literary conversation.
live in Berlin, too many of the DuMont-authors. Then maybe some other major cities, but few in Cologne. The book publishing remains bound to his headquarters? There should be
DuMont authors who live outside of Berlin? In general writer in other cities? I had heard of it. Manuscript submissions, we now no longer arrange alphabetically, but according to the Berlin districts, because hardly anything comes from elsewhere. One advantage of Berlin, the author visits straightforward: simply click on the Kollwitzstraße sit in the sun, and before you've finished your drink, all of which are already passed. To read one quite like back then returns to the Rhine.
The Royal Question: Will you give the audience what it wants or what you think is right?
Relentless subjectivity, without people having the same name has a sense of mission. But it has noted: only those who loved our books were where we ourselves caught fire had. Whenever we squinted again with a book on an imagined audience, we are still sitting at the end of it.
your short-term predecessor, announced at his inauguration, a new paperback series. They also have a new project in mind or a change of course?
If I'd have to invent anything new, I would have worked poorly in recent years. What is already certain: We will make fewer books, and we will consider each individual as it refers to his readers. These are the two most noble tasks of publishing: Selection and monitoring. As for the programmatic fixes: Recent books were also purchased, which set quite pure on entertaining. What to expect here no one understand them more. Each book must have special, individual interest, or we do not have to do it. In nonfiction, we will get less life memories, which may lower the average age in the publishing lie. Ultimately, however, general statements of intent to help in the literature any case any further as you can see the handwriting on each book.
against the routine so ...
The beauty of the art anyway: Routine sets. I have great sympathy for the name of the long-standing Mexican ruling party: Institutionalized Revolution. Who in the book business is not semi-annually invents loses. That makes things unpredictable, but exciting. Launched a few weeks ago Paperback gives us at least a base set of predictability. Paperback
The idea you carry on? Will seem new to and after the backlist in paperback?
Our Paperback we will hold the individual title actually increased in the house. There are also first editions, and individual licenses purchased. This is an exciting field and invites to all sorts of contraptions - appears in the fall about Haruki Murakami's "sleep", the midnight blue and silver illustrations are so beautiful that we even the paperback through two-color print.
separation in the DuMont the fields of literature / non-fiction and art back stronger?
The decision to to create art program in the hands of a publisher's own, is certainly due to the insight that illustrated books requires a completely different way of thinking, of finding, calculating, and producing books to its sale. In recent years, the publisher came from the literature that has helped the art form not always.
will decrease the proportion of German literature at DuMont, stay the same or increase compared with the translations?
Ah, the German-speaking authors are already particularly dear to me, not only because I was from the beginning, the primary responsibility for these books. They are unique relationships, these authors characterize the publisher very much. In pure numbers but the relationship with the translations will remain relatively stable - even when the installation of translated title in the wake of the current law presents a substantial risk.
If the contemporary German literature you think should be sponsored by more publishers in the German speaking? Finally it comes to their own offspring.
protection to sound like battery hens. Surely every sports club has also a responsibility for my e-youth, but that should not sink the claims. The discovery of a yet unpublished manuscript certainly brings the most intense feeling of happiness that our industry has to give. Since we started here twelve years ago with the literature , we attach special importance to German-language debut - whether it was John of duffel or Rammstedt Tilman, published their first book here. Such discoveries I promise to continue.
What is in this context of the attempt by the two German literary schools in Leipzig and Hildesheim keep? A certain conformism is to yes, a description of intensity without too deep foundation.
is really covered by any empirical research, and conformist in the first place but the institute itself Bashing who reads the books of the graduates actually asks itself whether there was not simply a general trend in recent years mismatched. What do authors like Stanišic, Pletzinger, Brodowsky, Klupp, stapler, Rossbach, Randt to do with conformism? I just came back from a seminar at the Swiss Institute of Literature, who wrote poetry and short prose. A squint to the market at least I know not there. And the desire for war coverage, I can not hear anymore.
How will you handle the E-Book/Ipad-Book? DuMont has so far yes, like many medium-sized publishers fell not just on this market segment.
We do now. We have always had a special pleasure in making beautiful books, and will continue to do so. But there is nothing to read both for practical reasons offered parallel ways. On the way to Switzerland, I have read half a dozen manuscripts, because I would have no e-book hard to bear had.
What are the conditions? Same price as the print edition? Do not be afraid of sharing?
The pricing for e-books deals to publishers worldwide. At the moment we assume that this country settles a download price of ten to twenty percent below the price of the book. And of course we try to repeat as few mistakes of the music industry. The music industry but smile at this suggestion.
Which is easier, it was difficult to run a publishing house that belongs to a large Medien-/Zeitungskonzern?
Since the founding of the book publishing more than fifty years, the parent company allows time and again to make extraordinary books that made a difference. This is a back cover, which is very helpful. Furthermore, we use also increases the daily benefit, the non-fiction published books that were written by journalists of the newspaper group, we do joint events and more. The feature itself is independent enough not to let it come to confusion.
Some time ago the parent company of the publishing house also used some money to the poor. Is it also currently required? How strong the economic crisis is felt in the publishing? Is there anything of "wetlands" cushion the hit Charlotte Roches, left?
The book industry is feeling the economic crisis - although they are by hardly any other medium to stimulate profitable and so cheap talk can be like a book. Anyway, it's even in times where one is better off with individual success, know a good feeling that someone behind him.
you have placed in the FAZ-experts ranking the second-most lecturer in Germany. When choosing the best publisher there is no serious competition, right? In silence I
with Wallace Stevens: "Beauty is momentary in the mind" for a real publisher Actor miss you already have the protective sleeves.

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